DEAR FRIEND: The Rascals, Rogues and Roues Who Made American Junk Mail Chapter 2: Of Honesty And Virtue

By Ray Schultz

J. Holbrook was an “ear biter,” a name given to postal law agents after one bit off another man’s ear. He spent the early years of his career catching postmasters who pilfered envelopes, and there was plenty of this work to do. “So keen was the scent of the robber, that, like an animated ‘divining rod,’ he could indicate unerringly the existence of gold, or its equivalent beneath the paper surface soil,” he wrote of one such thief.

But Holbrook’s mandate broadened in the 1840s, as the “ear biter” name faded away: He now investigated the growing number of con men who used the post office as their message service. One was a young legal clerk who had stopped not only studying but also obeying the law.

Referred to by Holbrook as “George,” this party needed money. So he turned to The Law Register, a directory of every attorney in the United States. Then he checked off the names of rural lawyers, and those who had no business with his firm, and copied these names. To this list he sent neatly written copies of the following letter:

“Sir: I have received a package of papers for you from Liverpool, England, with six shillings charges thereon — on receipt of which amount the parcel will be sent to you by such conveyance as you may direct. Yours, respectfully, William H. Jolliet.”

Some lawyers saw through the ruse (“let me know if you remain jolly yet”) , but others probably paid without thinking about it, believing that a rich relative in England had died and left them money (a common fantasy at that time).

Complaints about this came to Holbrook’s attention. And he was waiting at the Brooklyn post office one night when George came to pick up his mail. The clerk gave George the letters addressed to “Jolliet;” Then Holbrook put the arm on him.

The young man was prepared. George claimed he was working for “Jolliet,” a man he said he met only on horse cars, and he gave Holbrook a copy of the mailing list. But he was too clever by half. Holbrook visited George’s law firm the next day, and compared the names on George’s list against those checked off in the Law Register. They were identical. The youth confessed, and Holbrook hoped that “the rare talents which he possesses, will be yet be found arry’d on the side of honesty and virtue.” He could have said the same thing of the medium used by George.

Chapter 3: ‘We Accidentally Met With Your Address…’

DEAR FRIEND: The Rascals, Rogues and Roues Who Made American Junk Mail, Chapter 18: Selling in America

By Ray Schultz

By day, Eytinge ran the gang that cleaned the prison yard. At night, he wrote articles and edited copy. His editor’s photo in Postage showed him in a suit with tie and vest, seated next to a desk. And trapped inside, he imagined scenes that he could not have seen.

“Secretary W.H. Loomis Jr., of the Southwestern Blau-Gas Company, Kansas City, shook his head. He felt the pressure of the rising tide of electric lighting systems designed for farm use, although he had nothing to fear from the natural gas, acetylene or gasoline systems.”

And there was no way Eytinge had witnessed this (at least not recently):

“He was standing on the platform of a trolley, with some half dozen other smokers, when he noticed a newcomer step forward and deliver a sounding whack on the back of one of the men in the group. Accompanying the slap went a hearty ‘Bill, you old rascal, how’s things?’”

Eytinge also imagined women’s clothing, comparing it to direct mail design: “She dresses with variety because the changes make her more attractive, more alluring, more certain of ‘landing her prospect’—the winning of a mate,” he wrote. “And she dresses according to program and purpose, never wearing a décolleté gown riding after hounds.”

As often happened with Eytinge, this success didn’t last.

“For several months the issues of this magazine have been mailed from two weeks to a month behind schedule,” Publisher Lewis Hovey wrote when the September issue of Postage failed to appear. “Every month these ‘intentions’ to get it out ‘on time’ were the best, but one thing and another has interfered and it has been impossible to ‘catch up.’

In December, Hovey announced that Eytinge was stepping down. “It is needless for me to say that Postage has not been a success financially,” he wrote.

But people then took up Eytinge’s other idea: To “unite in hearty harmony and for paramount permanency.” Homer J. Buckley, who owned a direct mail print house, founded the Direct Mail Advertising Association (now the Direct Marketing Association). Those who joined automatically got a subscription to Postage.

***

Eytinge wasn’t the only tortured wordsmith to enter the junk mail business. Another was Sherwood Anderson, Ohio’s Roof-Fix Man. A one-time Chicago copywriter who turned to selling paint and fix-it items by mail, Anderson thought that “most people who buy house paint are, like the people who are sold anything else, at bottom probably yaps,” and he showed it in its copy, which was filled with stock advertising phrases like “guaranteed,” “We will send you absolutely free” and “Write for it today,” according to “Sherwood Anderson: An American Career,” by John E. Bassett. “Let me tell you, Free, how to cure your roof troubles for keeps,” he wrote in one direct mail circular, Bassett reports.

Anderson’s own printer accused him of cynicism. “The truth is, that, as you wrote, you were thinking of someone else,” he said one night as they walked around Elyria, Ohio, Anderson recalled. “I know how it was. You imagined some man getting the paint circular in the mail. He is a man you never saw and never will see. Now you tell me this. At bottom you are not so proud of this business you are in.”

Anderson agreed that his writing talent could be put to better use. “Already for several years I had been doing what I was doing when I wrote the circular,” he remembered. “I had been using the words of our human speech, really to deceive men.

“It was quite true that in writing anything…for example a paint circular…the object sought was some sort of entrance into the confidence of the other man and so, even in such a crude approach to the art of writing, you thought, not of the thing about which you were presumed to be talking, but of the man addressed. ‘Now how can I win his confidence’ you thought and this led inevitably to the secret of watching men.”

Facing an existential crisis, Anderson disappeared in 1912, turning up days later in a Cleveland drug store, his “clothes bedraggled and his appearance unkempt.” He left his family and returned to a job as an ad copywriter in Chicago. And when he returned to his “shabby little hole” every night, he did what he had started doing in Ohio: He wrote fiction.

His first novel, Windy McPherson’s Son, about “a sort of minor captain of industry,” was published in 1916 with the help of Theodore Dreiser. His second, Marching Men, appeared a year later. But neither was a success.

One night, desperate, Anderson wrote a story titled Hands. “Upon the half decayed veranda of a small frame house that stood near the edge of a ravine near the town of Winesburg, Ohio, a fat little old man walked nervously up and down,” it started. He finished it in one sitting, then wept. It was the first of several stories about “the defeated figures of an old American individualistic small town life.”

In April 1919, four years after starting this sequence, Anderson entered his room with the result: a yellow-cloth book titled, “Winesburg, Ohio”–an American classic, and an instant sensation. He soon was friends with Gertrude Stein and his book was said to influence Ernest Hemingway and John Dos Passos.

But he needed money, so he asked his publisher: “Do I have to go back to advertising? I’ll have go back there, begin again to write of tooth paste, of kidney pills, of how to keep your hair from falling out.”

He didn’t, and that’s just as well, for he had a sour view of his old trade. “In America no one buys anything,” he concluded. “In America everything, even art, is sold to people.”

Chapter 19: The Great War

DEAR FRIEND: The Rascals, Rogues and Roues Who Made American Junk Mail, Chapter 17: The Hard-Luck Writer

By Ray Schultz

Slightly hung over from drinking their way to Chicago, ad men filed into the hall for the opening of the first Direct Mail Advertising Conference in 1915. The keynote speech snapped them out of their torpor.

“We must emit and vomit out the nauseous masses that have been swallowed in our swift growth,” said the copywriter Louis Victor Eytinge. “There are too many specious shysters amongst us, who while they may be within the law are yet foul with filth in the morality of their business methods and we must remove this reek ourselves!”

Well said, but Eytinge didn’t deliver the remarks himself. He was serving a life sentence for murder, and had to speak from “behind the walls that encompass my body.”

It was a sad comentary that the beleaguered direct mail business. had to rely on a felon to speak for it.

Eytinge was a “wastrel” from a family of actors and musicians. Convicted twice of forgery, he drew a five-year sentence in the second case and emerged from that term in 1907 with tuberculosis. Hoping to cure him (and get him out of their sight), his family sent him to Arizona with an allowance of $100 per month.

But he got into trouble there, too. The body of his roommate, a tubercular barber named John Leicht, was found near a ranch after the pair had gone for a buggy ride one Sunday. There was no proof that Leicht was murdered, let alone that Eytinge had done it, but Eytinge fled after passing several bad checks, and that was enough to convince a jury that he had poisoned the barber. Convicted of first degree murder, Eytinge was sentenced to life imprisonment, the court deciding that there was no need to hang a man who was about to die of TB.

Near collapse, the 120-pound Eytinge was dumped in the outdoor ward at Yuma Prison. He hemorrhaged daily, and was too weak even to swat flies. There must have been times when he wished he had been put out of his misery. But as his parents hoped when they sent him west, the desert air did him good and he eventually regained his strength.

Then, as legend has it, he wrote to two Western curio dealers to offer the horsehair souvenirs made by inmates. And he got orders from both. So he wrote more, and the prison lifted its restriction of two letters per month, the belief then being that even killers could be rehabilitated by work.

In time, businessmen noticed that this lifer could write and started giving him freelance copywriting assignments. Granted, his “letters were sophomorically fervent” as the copywriter Henry Hoke described them. In one insinuating letter, Eytinge offered raincoats to Catholic priests:

Dear Father,

Just as I glanced at next month’s calendar my eye caught the warning, ‘Rainy Season Begins,’ and I thought of you and other faithful servants of the Church.

My mind’s eye pictured you thrashing your way thru wind and rain, to administer the Holy Oils to some dying one, going about your duty despite the dirty weather. Saw you standing beside the open grave, giving your benediction not seeming to mind the bluster that bespattered your beloved Breviary. I saw you, too, hurrying to some sadly stirred soul, with the rain soaking into your black clothes. And then, I began to really understand what is meant to take Holy Orders.

But Father, there’s little need spoiling your good black overcoat…

Not many raincoats were sold. “I made the thing too personal for a printed letter and talked more about weather than weatherproofs,” Eytinge admitted.

But he learned. By 1915, the Eytinge Service was pulling in $5,000 a year, and his ideas were taken seriously. In his Chicago speech, Eytinge called for the start of a direct mail magazine. Postage appeared six months later, and the jailbird Eytinge was soon named editor of it.

Chapter 18: Selling In America